Monday, May 31, 2010

Details

I admit it! I have not been here and posted anything in a while. I am in the midst of pre-production on a new project and it is taking up a lot of my time. Then of course there is time spent with my wife and daughter and trying to pick up some new ideas about photography.

Thus some new images I have just finished using some techniques I learned watching Calvin Hollywood. If you are not familiar with his work I suggest you search him out and watch some of his Photoshop tutorials on youtube.



Thursday, April 15, 2010

Print at IKEA

Over a year ago I received a phone call from a company asking to license an image of mine for print production. I was in the process of moving to the Philippines and all my files were on a slow ocean going freighter and I said I would get back with them when I got set up again.

My computers with the files showed up but by that time I was busy adjusting to a new environment and forgot about it. Six months later one night on a bus in Manila I got a call from them again about the image. They were so anxious to get the license they offered a $1000.00 advance against royalties and I figured what the heck.

We agreed to go ahead with this, I signed a contract and the process began. Finally after close to eight months, last week the image is on sale at IKEA stores world wide.

The reception of the image in the first week has been overwhelming. I have received numerous emails from people telling me how much they like the photograph, how good it looks on their wall and asking where it was taken. People are asking about ordering prints of other images on my website.

I feel very lucky right now and excited. Here is the image. It was photographed in Northern Vietnam near the Chinese border.

Saturday, December 19, 2009

MERRY CHRISTMAS!

A quick Merry Christmas to all with a little Photoshop help.



Monday, December 7, 2009

Surfer Portraits at Dusk

I just got back from spending a few days in San Juan, La Union, Philippines, where I have spent many a day surfing some great waves. The main reason I went is that my daughter Jade, now going on three, has been wanting to go to the beach and I have been promising we would as soon as my shoulder was okay. It isn't 100% by any means but good enough to take her to the beach.

I had not done any photography since the motorcycle accident and knew I wanted to give it a try, see if my shoulder could handle it. I was thinking about just a camera and some cute photos of Jade.

But I have never gone anywhere without loading up more than I need so the night before we were to take off I decided I better put in at least a tripod, then well I better take a 580 EXII, well better take two just in cast one goes out. Hmmm? Probably better take a light stand, arm and knuckle...oh yeah and remote triggers, and a shoot through transparent umbrella, maybe a soft box, batteries, chargers, video camera.

Short of it is I loaded up still thinking I would only do some fun snaps. We stayed in a new studio apartment my friend Bob just finished, where two other good friends live. Sitting around drinking a beer with them the first night I asked if they would let me use them as models. They agreed although a bit reluctantly.

My idea was to shoot them as the sun set standing on the beach with their surfboards. The main obstacle was could I get down to the beach with the gear. I did trim it down to one camera body, a stand, shoot through umbrella, tripod, remotes and slaves and somehow managed to get to the beach with it all in hand.

I was so excited to do some photography again. I felt like a kid with my first camera.

As is always the case with late evening photos I was amazed at how fast the light fades and is suddenly gone, not a lot of time to work with but I feel very good about the photographs we got that evening.







Thursday, December 3, 2009

NEW RDA CONTRACT INSULTS THE VALUE OF PHOTOGRAPHERS!

I just received the following from one of the stock/rep agencies I am associated with, http://www.onasia.com/. They, very wisely, have decided not to work with RDA until a version of the contract more photographer friendly is offered.

Photographers are being pushed around more and more and the value of our work is being decided by other than us. I think it is time to be very careful with how we allow agencies, publishers, etc. to determine our value.

Notes in red are the agencies thoughts. The comments made by OnAsia are only opinions and purely for informational purposes – it is up to you to make your own decisions as to what you feel is acceptable in a contract.

DATE:

NAME OF PHOTOGRAPHER:

ADDRESS:

This contract, when executed by both parties, shall constitute an agreement between Reader’s Digest Asia Pte. Ltd. (“RDA”) and yourself with respect to certain photographs (the “Photographs”) to be created as follows:

1. You agree to deliver the Photograph(s) listed in Schedule A in compliance with the delivery date(s) set out in said Schedule.

2. You hereby grant, license, and assign to RDA, its subsidiaries, affiliates, parent company and licensees the following rights in the Photographs:

a) Exclusive worldwide rights to reproduce and publish the Photographs in any magazine, periodical or other publication as well as the right to reproduce and publish the Photographs in any Read­er’s Digest anthologies, compilations and promotional materials. AT EDITORIAL RATES THE NORM FOR ASSIGNMENTS HAS BEEN AND SHOULD CONTINUE TO BE FOR ONE TIME USE BY A SINGLE PUBLICATION UNLESS A REASONABLE FURTHER FEE HAS BEEN AGREED FOR MULTIPLE USES.

b) Exclusive rights to distribute the Photographs through the Internet, mobile phone and other commercial on-line services or through any other method or media, including without limitation, motion pictures, television programs, video programs and other audiovisual productions. IT IS OUR OPINION THAT THIS MEANS THAT NEITHER YOU (NOR YOUR AGENT) CAN RELICENSE ANY OF THE IMAGES YOU SHOOT ON THESE ASSIGNMENTS FOR TWO YEARS (SEE 4 BELOW) – EFFECTIVELY THE MAIN ‘LIFE’ OF THESE IMAGES. SO YOU WILL LOSE PRETTY MUCH ALL RESALE VALUE – ONE OF THE MAIN REASONS YOU CAN AFFORD TO TAKE ASSIGNMENTS AT LOW EDITORIAL RATES. THIS CLAUSE IS AMBIGUOUS AND IT IS OUR READING THAT YOU WOULD BE GIVING RD THE RIGHT TO MARKET AND SELL YOUR IMAGES TO ANYONE EVEN PUBLICATIONS/CLIENTS OUTSIDE OF RD FOR ANY USE INCLUDING ADVERTISING WITH NO FURTHER REMUNERATION TO YOU.

c) The right to archive the Photographs in any manner, method or media, now or hereafter known.

3. You agree that RDA may modify the size or other elements of the Photographs, which it shall do with care.

4. RDA shall have the exclusive right set out in section 2 herien, for a period of 24 months which shall commence from the date of publication of the photos and thereafter the rights set out in secton 2 shall be read as non -exclusive for an indefinite period. EVEN AFTER THE TWO YEARS RD CAN CONTINUE TO LICENSE (SELL) YOUR IMAGES IN PERPETUITY WITH NO REMUNERATION TO YOU.

5. You warrant that you have the full power to grant such rights set out in Section 2 herein, that the Photographs are original, and do not infringe any copyright or other rights of any third party, or contain any matter that is libelous or otherwise in contravention of the law. BE VERY CAREFUL WHEN SIGNING A CLAUSE LIKE THIS, IT IS OUR OPINION THAT IF YOU ARE SHOOTING AN ASSIGNMENT FOR A CLIENT, THEN IT IS UP TO THE PUBLISHER TO SATISFY THEMSELVES THAT THE IMAGES DO NOT INFRINGE ON ANY RIGHTS. NOT MANY PHOTOGRAPHERS CAN AFFORD TO DEFEND THEMSELVES AND THIS ONE SIDED CLAUSE MIGHT OPEN THE DOOR TO AN ACTION AGAINST THE PHOTOGRAPHER SHOULD THE MAGAZINE END UP USING AN IMAGE IN A LIBELOUS MANNER ESPECIALLY AS THEY CAN, WE BELIEVE, SELL THE IMAGES TO OTHER CLIENTS AND LOSE ANY CONTROL OVER HOW THE IMAGES MAY BE USED.

6. In consideration of the rights granted hereunder, upon acceptance of the Photographs at our sole discretion, RDA will pay you the sum set out in Schedule A. SHOULD RD OFFER YOU CORPORATE STYLE RATES FOR THE ADDITIONAL RIGHTS THEY ARE DEMANDING ABOVE (RIGHTS THAT WE BELIEVE ARE WAY IN EXCESS OF MOST CORPORATE ASSIGNMENTS WHICH NORMALLY DO NOT CARRY RESALE RIGHTS) THEN FOR SOME PHOTOGRAPHERS THIS MAY BE WORTH SIGNING. BUT IT IS OUR UNDERSTANDING THAT ANY RATE INCREASE FOR THEIR ASSIGNMENTS WILL BE MINUMAL, CERTAINLY WILL NOT APPROACH ANYTHING LIKE THE VALUE OF WHAT THEY ARE DEMANDING IN THIS AGREEMENT.

7. If the Photographs are not accepted because the article that they illustrate has been cancelled, RDA will pay you a kill fee representing up to fifty percent (50%) of the due amount for the Photographs as set out in Schedule A. THIS CLAUSE ALONE MAKES THIS CONTRACT COMPLETELY UNACCEPTABLE IN OUR OPINION – THEY CAN SIMPLY DECIDE NOT TO RUN A STORY AND ONLY PAY YOU 50% - THEY DO NOT EVEN MAKE IT CLEAR WHETHER THIS INCLUDES ONLY PAYING 50% OF THE EXPENSES! ASK THEM WHETHER WHEN THE READERS DIGEST CORPORATE TYPES GO SHOPPING AT TESCOS AND BUY A CASE OF RED WINE, THEY SAY THEY WILL ONLY PAY HALF IF THEY SUDDENLY DECIDE THEY PREFER WHITE.

8. If the Photographs are not accepted because they do not meet professional standards or if they do not meet the expectations or descriptions of RDAU specified in Schedule A, you will not receive any form of compensation or kill fee. THIS IS NOT A CLAUSE WE LIKE TO SEE IN ANY CONTRACT AS IT IS AMBIGUOUS, ONE PERSON’S IDEA OF WHAT IS USABLE IS ANOTHER’S FULL PAGE PICTURE. IF A PHOTOGRAPHER REALLY MESSES UP A SHOOT BOTH SIDES WILL KNOW IT AND THE PHOTOGRAPHER WILL PROBABLY CONCEDE THIS AND NOT CHARGE OR RESHOOT FOR NO ADDITIONAL FEE…BUT NEVER GOOD TO HAVE THIS AS PART OF A CONTRACT. BUT PROBABLY NOT A DEAL BREAKER.

9 RDA will reimburse reasonable expenses upon presentation of appropriate receipts or documentation. Any expense exceeding $100 must be approved in writing in advance by RDA.

10. this agreement may not be assigned by either party without prior written consent of the other party, except that RDA may assign the agreement to any successor publisher of Reader’s Digest magazine.

11. This Agreement shall be governed and construed in accordance with the laws of Singapore.

READ, ACCEPTED AND AGREED TO:

READER’S DIGEST ASIA PTE. LTD.

By:_________________________________________

Date:________________________________________

PHOTOGRAPHER

By:_________________________________________

Date:________________________________________

SCHEDULE A

DESCRIPTION OF THE PHOTOGRAPHS DELIVERY DATE(S) FEES

Saturday, November 14, 2009

Canon 5D Mark II DSLR

I came across a very interesting snapshot of a spec video shot by Ken Arlidge using the Canon 5D Mark II. It seems the revolution is here so to speak.

In his words: "The results were remarkable and it is clear that this camera is a viable tool in the business of making television commercials."

Ken Arlidge is obviously a pro and knows how to shoot motion. While many of us may not be as adept as he this certainly can open up possibilities for us doing video personally and/or professionally.

It really is a beautiful piece of work he has done. I only wish all Coke commercials were this enjoyable.



Friday, November 13, 2009

Keith Don't Go

If the title to this post doesn't ring a bell it is the title to a song by one of my favorite musicians, Nils Lofgren. He has played with E Street Band, Ringo Starr, Neil Young and has countless solo albums out there. If you are not familiar with his solo work check it out.

But I have already digressed. I admire the work of Annie Leibovitz but what this is about for me is Keith Richards. He defines Rock and Roll. Who would have thought he would me hanging around with Louis Vuitton luggage. I would have guessed more likely an old duffle bag but what do I know.

Anyway there is some cool lighting Annie does here, I just have to wonder, with both of them being such high profile people what the vibe was in that room. I bet it was way cool!